MELINA KANAKAREDES
- STELLA BONASERA
On season three:
MK: It’s always
fantastic when an audience lives through an experience with an actor.
Because the audience saw Frankie’s relationship with Stella, they will
understand the paranoia that sets in when she realizes someone is stalking
her. You do have the ability to live the life of these characters. That’s
the joy of working on episodic television. We start off season three showing
that Mac has a girlfriend and we didn’t want to go right into a boyfriend
for Stella, although I can’t wait until she has her next relationship
because then I can tell that new person “hey I shot my last boyfriend.” We
ended last season on an event that changed her life, and it stems into her
work.
In
episode 306 entitled “Open and Shut,” Stella investigates a self defense
case where a woman shoots her husband’s business associate and possible
murderer in her apartment.
It
was great to watch Stella walk the line as a detective, but understand what
it is like to be invaded in that way. She approaches this case with
integrity. It’s those little moments that we as actors can’t wait to jump in
to. When you get away from the procedural, it’s when all the pieces come
together.
On the special effects:
Everything
we do especially in the special effects arena is exquisite. We make a mini
movie each week. Our writers have really come into their own. The storylines
are bizarre and clever. Early on, they had this thing where you could get a
corneal image off a guy’s eye and I said “you can really do this?” You are
always learning.
On Peyton and Mac’s relationship:
The
audience needs to know certain secrets; it adds to the dynamic of the show.
On Peyton and Stella’s confrontation in
“Raising Shane” Episode 311:
(When
Hawkes is framed for shooting a bartender and then later sent to prison, the
team takes to the street to set their investigator free. A surprise visit
from Shane Casey later explains the death of a man at a peep show and Hawkes’
compromising situation.)
Stella
and Peyton’s confrontation is not personal. The run-in is what’s best for
the victim, which in this case is Hawkes. When one of your teammates is
suspected of something you know is not possible you get into it. The racism
element is huge too. They basically picked up an African American that was
on the street without looking too far into it. I think we are hitting on
some great elements. The conflict lies within the situation, which is
different than two chicks yelling at each other. Its not soapy - its
integral to the storyline.
We were
challenged in proving him innocent and Stella won’t stop. In the end, she
goes back to get him and it’s a wonderful resolution. There is always a
through line for every character.
On “Hung Out to Dry” Episode #304:
It never
ceases to amaze me how gross and realistic the makeup effects are. We had
just come back from hiatus, and the first day on the set there is a guy
attached to a tree with spikes in his eyeballs and I thought well, I’m back
at work.. I was scared at first, but then his cell phone rang and I got my
grounding a bit. I jump at certain parts of episodes. Even though I was
there and I filmed it - when I watch it I still get scared.
On the violence associated with the job:
You have
to put yourself in the situation. Once you do research, and see what other
human beings can do to others, your eyes are opened. My kudos to those who
do this for a living. They need to build a wall to do it every day. When
Stella is affected by something her wall comes up too. If I had to take it
home everyday, I’d go nuts. I think that’s why she got together with a bad
guy. In her personal life, she just shuts out the violence and her guard
goes down.
On CSI: NY:
You get your script
two days before you shoot. You do your notes and go through it. You start on
Monday at 6:30 a.m. and by Friday it’s 10 a.m.. Fridays can go seventeen
hours. Because it is more of an ensemble show you get more of a break. You
have to balance everything. It’s very time consuming. If you don’t want to
do another season, you have a lot of people holding on and trying to figure
out what they are going to do. You are responsible for others.